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Eleven years after its creation, Clams Casino's iconic “I'm God” beat has finally been officially released for streaming. Here's the story behind its journey. May 14, The song morphed with the way rap fans consumed music. First, it was.


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This collection gathers the cloud-rap pioneer's earliest and most seminal recordings, in danger of being lost to the digital ether. by: Nathan Smith. May 6


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From sampling Adele for Lil B's “Realist Alive” to the beginnings of his epic partnership with A$AP Rocky, Clams Casino shares the stories.


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We speak with veteran record producer Clams Casino about his At their best, Clams' beats occupy the middle ground between buoyant rap music By his early 20s, he had produced three standout songs on Lil B's Whatever the s have in store, Clams' legacy is secured and forever expanding.


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Pro Audio. He recorded them a couple of days later and sent them right back. How did the two-year break after Instrumentals 4 benefit the creation of Moon Trip Radio? Super dramatic and dark. How did you handle the transition from mostly using samples to working more with live instruments? You have a knack for using vocal samples. That was the first instrument I messed around with. I listened to a lot of alternative rock stuff, but as I entered fifth or sixth grade, I started listening to more hip-hop. I pulled the song from there, created the beat, and sent it to him. I was working on [ 32 Levels ], so I reached out to him to be on a song or two. I was messing around and recording with my friends at that point. When did you first fall in love with music? As a starkly independent artist, Clams was weary of what signing to a record label could mean for his freedom. Best Of. He keeps a low profile and creates music at his leisure while raising his young son. I figured it was time for me to make an album of my own because then it would all make sense, and all fit on my terms. I reached out to Lil B on MySpace, and he answered me back with an email to send beats to. I could tell they understood me and where I fit in. So the beat was already a few years old. Rocky was gonna use it for his first album [ Long. The experience is the biggest change, obviously. That was embedded in my brain from a young age. Year of Mac. I left him with four beats, and he wound up using three of them. It was entry-level, but you could do a bunch of cool stuff on it. What is it about the voice that you find so interesting? Eventually, Columbia reaches out, and you sign a deal before releasing your debut 32 Levels. What lessons did you take from your early work with Lil B into your first EP Rainforest and your first Instrumentals tape in ? I figured if people were cool to listen to my music without rappers on it, I might as well drop some other beats that sound good on their own. The New York-based production duo is preparing for their biggest excursion yet. Home Features Interviews.{/INSERTKEYS}{/PARAGRAPH} Vince Staples is leading a new generation of gangster rappers and with a Clams Casino beat behind him, we're in must hear territory. This was before I had a computer or any software. We started working together in One of my friends had sent me an Imogen Heap song, the artist I sampled from. I want to make sure I can put out timeless music. I feel that Moon Trip Radio is cohesive and a strong representation of my musical identity. Once I started to get more serious, around and , I began hitting artists up online. I started thinking about making beats in high school. At 14 years old, Clams bought himself a Yamaha SU sampler and tried to get in on the fun. He cut back on sample usage, taught himself how to play a handful of instruments, and recruited session players. The moody atmosphere of Outworld followed him into real life as he fell in love with the works of East Coast luminaries like Busta Rhymes and Mobb Deep. {PARAGRAPH}{INSERTKEYS}Throughout the decade, the New Jersey-based producer—born Michael Volpe—specialized in beats booming and vast, and lighter than air. By 16, he was creating his own remixes. I signed with Columbia around The idea came about because my music can be hard to place sometimes. The only thing you can do is take things away from living. The original song is moody and spooky, and the texture of the guitars was crazy. Clams: I played drums when I was in middle school. How do you feel about that term? From the outside, it might look like a break, but I never stopped working. DJBooth : Take me back to the beginning. I started listening to The Pack in , and I became a superfan. A lot of the beats I was making beforehand had similar vocal samples to hers, and my friend suggested I flip it. Also, there were plenty of things I had released on my own that I thought were good enough, but Columbia would push me creatively to make stuff better. I had a project that was just 20 songs of a cappellas with beats. When did you first sign with Columbia and begin crafting the album? After years of independent grinding, the Florida rapper recently launched his own record label. It was good input and a lot more freedom than I expected. Cloud rap, as we know it to be, had been born. Oh, and Sprite is in his DMs. At the time, I was making remixes on my computer.